January 1, 2017

Year in Review: Goodbye 2016, Hello 2017!


"Learn from yesterday, live for today, hope for tomorrow." 
~ Albert Einstein


Wishing all of you the happiest of Happy New Years!  It's out with the old, and in with the new; so, may you be happy the whole year through!

Time for one of the most rewarding posts of the year for any blogger...Looking back and reflecting upon the past year’s accomplishments and forward to another twelve months of sewing and blogging.  There were high points, and low points.  Times where I felt like I was moving forward, and times where I questioned why sew or blog anymore.  So, before the needles fly in this new year, it’s time to highlight the skills learned and challenges overcome in the past year through the 2016 sewing year in review:


January -  To start off the year, I finished my 1820s-esque Mad for Plaid Ensemble, featuring this dress and matching bonnet.  This was the last photo shoot Maria and I did before I left for Pittsburgh: 


Also, I made several Christmas gifts, including this patchwork pocket:



February -  February saw the completion of my 19th century sewing box and accessories:



March -  Most of my sewing this month was either for my production assignment in The Bluest Eye or as part of my costume shop apprenticeship at the Pittsburgh Playhouse.  Though I did manage to complete one personal project - a new, linen round-eared cap:


I was also talked into making a Facebook page for The Young Sewphisticate!


April -  April was a busy month in the shop as we built dozens of pieces for Drowsy Chaperone.  I think I worked around 60 hours in the two weeks before the opening - tacking trim, beading, and stitching wherever asked.  In all, I helped bring 11 pieces to the stage, including:

Macrame trim!

Art Deco Robe.

And more, which I still need to blog about sometime...


May - With classes, work at the costume shop (where I had the privilege of studying dozens of their extant garments up close and personally) and exploring the great city with friends, there wasn't much time to sew.  In any down time, I'd put a few more stitches into my semester-long Berlin work project, completed thanks to a care package containing DMC floss from the loving partner-in-crime:



June -  Home again, Maria and I resumed our photo shooting partnership with Short Gown Study IV, a golden short gown featuring hand-rolled trim:



July -  This was the summer of rolled hemming!  In addition to rolling half a dozen neckerchiefs at the museum (sorry no pictures), I made a new lawn cap and double ruffle chemisette!



Hosted my first "giveaway" with a housewife or sewing kit:


And taught my first summer camp that was all about 19th century fashion and FUN!  (Post pending to be published sometime before Fashion Fun take two...)  I will never forget my very sweet, first class of fashion enthusiasts:



August -  I completed my late-1820s project this month including a shift, sleeve puffs, dress with pelerine and other accessories:


I also made a beribboned cap, which won a blue ribbon at this year's agricultural fair!



September - I may have missed the Tall Ships to work on a special tourism project at the museum, but I finished the 1810s dotted dress anyways!


I also made a dotted chemisette based on an original extant garment to match: 



October - October brought three very special projects, including a little sacque coat:


...The great pleasure and privilege of being a part of one of my nearest and dearest friend's wedding celebration.  Two years ago we were talking about making her wedding dress someday, the running costume-designer-gone-bridal joke, but I never imagined the honor of being asked to make her wedding veil and rosettes for the bridal party:  

The tiniest rolled hem so the pearls would float!


...And finally, the chance to pull costumes for Sense & Sensibility all thanks to my director friend!  Not only did many of my personal Regency creations get their debuts onstage, but returning to YOHP and STAGES for the first times since senior year of high school brought back so, so many fond memories: 

The Dashwood Sisters - Elinor, Marianne and Margaret (left to right) -
First Act costumes on fitting day.


November -  I was Cinderella for Halloween:


And introduced Ginny as our traveling doll with a first foray into doll clothing, inspired after taking Anna Worden Bauersmith's straw doll millinery class.



December -  Last but not least, December brought several small, yet satisfying projects.  Including a new housewife or sewing kit:


Ginny resumed her adventures with a doll dress for Yuletide:


And the last projects of 2016 were two Regency reticules, which will be featured next, in the second blog post of 2017:



What to expect more of in the coming year:

  • Continued restoration efforts to most of the past blog posts
  • Much more sewing and photo shoots! 
  • Expansion of content to include more living history posts 
  • Eventual publishing of queued projects and posts
  • Updates to all of my social media platforms 


What a year to review!  A most sincere thank you to all who read and encourage my sewing adventures.  Each and every “like,” comment and subscription here (and on Facebook) was greatly appreciated – your continued support keeps me sewing!  May your needles always be sharp, and your fabric stashes always overflowing!

Cheers 2017, and may we make every minute count!


December 23, 2016

Project Planning: Sky Blue 1830s Ball Gown

At last, the fall semester is finito, so it's time to get back to sewing!!  And I'm very excited to share the first, new project of the winter season...something special...drum roll please...an 1830s ball gown made from a gorgeous sky blue and gold sari!  

Right side: sky blue with gold embroidery.
Underside in gold (left).

A couple of months ago now, one of my Aunt's "de-stashed" and sent us several boxes full of sewing supplies and fabrics.  It was just like Christmas, and, to my great delight, this satin sari all the way from India appeared.  Burn test (unfortunately) confirmed that it's most likely poly, but that doesn't take away from its gorgeousness!

The embroidered motifs of the body.
In its entirety, the sari measures a little over five yards.

A band of the pallu.

I had been saving the sari for a later project, until Ariana sent me this picture from the new mini-series about my favorite monarch, Victoria

 Jenna Coleman as the young Queen Victoria.
(Image via: DailyMail)

And then, I knew exactly what I needed to make next...a blue and gold 30s ball gown of my own!  So I turned to Pinterest to start gathering inspiration: 

Portrait of Amélie du Bois (1803-1891),
by Alexandre-Jean Dubois-Drahonet, 1821
(Image via: Christie's Lot 178)

Lucky for me, blue and gold seemed to be a period appropriate combination!  I will be modeling the sleeves and waist treatment after this portrait: 

Ann McCurdy Hart Hull (1790–1874)
Wadsworth Atheneum Museum of Art, Hartford, Connecticut
(Image via: Smithsonian)

And I found THE inspiration here:  This confirmed the use of a single, long lace flounce across the neckline and short, puffed sleeves. 

Portrait of a Lady by Alvan Clark, ca. 1835
(Image via: MET Museum, 38.146.3)

Lace flounce(s) seemed to be popular in the late-1820s and early-1830s especially over organdy or tulle over-sleeves: 

(Image via: Pinterest)

I plan to draft a two-dart bodice much like this portrait: 

Regina Daxenberger by Joseph Karl Stieler, 1829
(Image via: Pinterest)

Julie Grafin von Woyna by Friedrich von Amerling, 1832
(Image via: Pinterest)

Wow, no expense spared here - I bet that silver embroidery cost a royal fortune, not to mention those jewels! 

Dona Maria Cristina de Bourbon, Queen of Spain
by Vicente Lopez Portana, 1830
(Image via: Pinterest)

In examining period film representations, Jenna Coleman as the young queen in Victoria (which is a charming mini-series by the way) often sports the lace flounce and puffed sleeve style:

Jenna Coleman in Victoria.
(Image via: Tumblr)

Emily Blunt, also as Victoria, in one of my favorite period films, The Young Victoria, appears in the style:  Costumes by my one of my favorite designers, Sandy Powell.  It's like a frothy, lemon cake, I love it!!

Emily Blunt in The Young Victoria.
(Image via: Tumblr)

Once I finish my gown, I'll need to find a dance to wear it to!  

A Couple Dancing by Lionel Peraux
(Image via: Tumblr)

A French Soiree, 1819
(Image via: Black Tie Guide)

Time to get to work...

December 21, 2016

Ginny's Yuletide Adventure

In sum, December simply flew by!  Between finals and three weekends of Yuletide in the Country Tours at the Genesee Country Village & Museum, there just wasn't enough time to do much else.  Though, with only one, last final remaining, I am very much looking forward to getting back to the things I miss most - sewing, blogging and fun with friends!


Speaking of friends...this year's Yuletide featured anything and everything from the real life engagement of the star couple of the dance soiree, to the classic snow ball fight or two, and a truly merry (in the 19th century meaning), revamped scene with Mrs. Boyle, crowned "Lady of Misrule & Her Lusty Guts."  Never a dull moment in the village!  

In fact, while I was busy playing Mrs. Munger's shop assist, Hannah, charged with decorating a cake with delicate frills and candied flowers for Mrs. Butler, Ginny (our traveling doll) enjoyed the best Yuletide tour thanks to a great many friends...From her tour guide, Judy J, who made it all possible, to the Thomsons and St. Nick.  Mrs. Munger, and the Fosters.  Not to mention, the village fiddler and dancers...A great "thank you" to all for making our night!  So, without further ado, please enjoy Ginny's Yuletide Adventure, as captured by our favorite tour guide, Judy:     

Awaiting adventure on the steps of Livingston-Backus!

First stop: A little holiday shopping at the D.B. Munger Confectionery with assistance from Mrs. Munger, herself!



Second stop:  A visit from Santa!  The Thomsons are a proud family, who'd happily share what little they have with anyone, but wouldn't accept the same charity for themselves.  Full of the holiday spirit in their hearts, a little cheer for their pockets would go a long way to brighten their Christmas Day!

(Photograph credit: Judy J.)


Third stop:  Invitations to Mrs. Livingston's extravagant soiree were in short supply, though Ginny and I were personally assured a seat by the generous hostess herself (no "strong" tea or bribery of any sort required)! 


Such an elegant spread, the Livingston's sure do know how to throw a grand Christmas party!


What are you doing down there, Ginny?
I must have a word with your tour guide...
(Photograph credit: Judy J.)


Fourth stop:  To the Town Hall, just in time for the dance! 

Thanks for serenading me, Mr. Fiddler!
(Photograph credit: Judy J.)

The lady in red saved a dance just for me!
(Photograph credit: Judy J.)

When it comes to dancing, the more the merrier I say!
(We loved your "photobomb," Pam!)
(Photograph credit: Judy J.)

All that twirling around sure made us thirsty...
(Photograph credit: Judy J.)

A photo with my favorite tour guide (left) & dance partner (right)!
(Photograph courtesy of Judy J.)


Fifth stop:
 Making merry with the Boyles, crowned the "lord and lady of misrule!"  In their words, nothin' like unfeigned gaiety and unrestrained spirit!

Fine food, finer folk, finest drink!
I'm beginning to wonder about that tour guide of yours...
(Photograph credit: Judy J.)


Final stop on the tour:  Christmas with the Försters and their family traditions.  O Christmas Tree!  O Christmas Tree!  Thy candles shine so brightly! 

O Christmas Tree!
(Photograph credit: Judy J.)


What a wonderful Yuletide and end to the 2016 museum season!  All that's left to say now is that we sure hope to see you in the upcoming, 2017 season...


“Happy Christmas to all, and to all a good night!” 

A Christmas visit from St. Nick.
(Photograph by Judy J.)

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