September 15, 2018

We Have a Winner!

Thank you to everyone who liked, shared and entered our celebratory giveaway!  (See the original announcement post and official contest rules, here: It's Time for a Giveaway!)  It was a lot fun to read your responses, and I'm so excited to announce the winner of our giveaway...ready?  

The giveaway prize: a Berlin wool work pincushion

Over the past ten days, we've been keeping track and tallying the entries across our blog, Facebook and Instagram.  There were 27 entries total, each entered in the order received and given a unique number by this List Randomizer:


And, now, using the True Random Number Generator:


Congratulations, Ashley! 

(Ashley, please contact me to discuss the details of sending you your prize.)


Thanks for playing, everyone :)

September 5, 2018

It's Time for a Giveaway!

We just hit 300+ likes on our Facebook page, also The Young Sewphsiticate!  Words simply cannot express my gratitude for every "thumbs up," comment, follow and share our page has received, and I am overwhelmed by your generous support for my amateur sewing, textile and living history adventures.  So to celebrate this exciting blogging milestone, we're giving away a Berlin Wool Work Pincushion!

The giveaway prize - a Berlin wool work pincushion!


The Prize: Worked in a traditional style of needlepoint, this vivacious, Berlin wool work pincushion will certainly stand out in your sewing basket!  The vibrant hues of red, orange, yellow and pink are appropriate for both historical and modern use, making this the perfect addition to your living history and reenacting kits.  

Don't sew?  This also would make a festive decoration, tree ornament, doll pillow, or even gift it to another...I won't tell ;)

Front design of the pincushion.
Note: the colors in the following three images are truest to life.


Hand-stitched using 100% wool yarns on cotton embroidery cloth and backed with black cotton sateen, this little pincushion should hold up through many sewing projects to come! 




Let the giveaway fun begin!


How to Enter:  There are three ways to enter - by "liking," commenting and/or sharing the contest.  Each participant may have up to four entries.   
  1.  Like - Consider giving our page a "thumbs up" or "like" on Facebook!  (Only fitting as this is what inspired the contest)  Let me know in the comments below so I can be sure to count your entry, especially if you're already one of the 300 we're celebrating!  (Counts as 1 entry per person, not repeatable)
  2. Comment - Tell us about your favorite and/or least favorite historical garment in a museum collection in the comments below!  Be it pretty or pretty ugly, inspiring or disgusting, have fun with this one!  (Counts as 1 entry per person, not repeatable)
  3. Share - Spread the word by sharing this giveaway on your blog, Facebook or other social media site!  Make sure to post a link to your share in the comments below.  (Each share counts as 1 entry, repeatable up to 2 times per person)

Just imagine this pincushion in your sewing basket!

The Timeline:  The contest is open now and through the next nine days!  You have until midnight (Eastern Time) on Friday, September 14th to enter the giveaway.

The Winner:  The winner will be selected using a random name generator and contacted on Saturday, September 15, 2018.  The prize is one, handmade, Berlin wool work pincushion:


Good luck!

August 27, 2018

While the Veil Around Her Streameth

"One sacred oath hath tied 
Our loves; one destiny our life shall guide;
Nor wild nor deep our common way divide!
Ushered thus, we haste to enter on a scene of radiant joy—
List’ning vows in ardor plighted, which alone can death destroy.

"Passing fair the bride appeareth, in her robes of snowy white,
While the veil around her streameth, like a silvery halo’s light;
And amid her hair’s rich braidings rests the pearly orange bough,
With its fragrant blossoms pressing on her pure, unclouded brow.

Bridal Fashions Plate, Winter 1847
(Image source: Claremont Colleges Digital Library

"Love’s devotion yields the future with young Hope’s resplendent beam;
And her spirit thrills with rapture, yielding to its blissful dream!"

- "Eras of Life: Marriage" by Mrs. A.F. Law, 
Godey's Lady's Book, January 1851


Last year, on this very day, my two good friends, Allison and Stephen, said their "I do's" in the wedding of the centuries!  Surrounded by family and friends, fashions from the 1840s through the 1940s, the couple share a love unbound by time.  So, on this first of many anniversaries to come, I wish them another year and lifetime of happiness, great success, joy and abundant blessings!

In celebration, with permission from the bride, today's blog post is all about the making of her hand-beaded wedding veil.  I had wanted to present a gift that would let them know how much they mean to me, and hope that this small, yet hand-and-heart-made contribution did just that.

A hand-beaded bridal veil of net and glass pearls.


The Veil Around Her Streameth

News of the engagement spread quickly through our village, and plans for the trousseau began soon after.  For me, this meant the privilege of a second foray into bridal attire - the first being for the matron of honor and our mutual friend, Ariana, several months prior.

Allison was (and is!) a gorgeous bride, with the grace and beauty reminiscent of Franz Xaver Winterhalter's portrait of Queen Victoria in her wedding dress, which was completed in 1847 as an anniversary present for Prince Albert.  In the 1840s style and tradition set by the queen, bridal veils were made from either fine lace or net and worn beneath a wreath of sweet orange blossoms.

Portrait of Queen Victoria in her wedding dress and veil from 1840,
painted by Franz Xaver Winterhalter in 1847.
The original painting is owned by the Royal Collection.
(Image in public domain, via Wikimedia Commons)

For Allison's veil, we decided on an ivory cotton net with a beaded edge.  She asked for a "moderately full" look that would extend a couple inches past the waist or to around hip length, which I measured to be about 30".  After gathering a length of ivory net, dozens of matching 4mm pearls and a silver wire hair comb, I was ready to begin what would be around a 40 hour project, thinking of Allison and Stephen with each stitch.

While the saying may be that a picture is worth a thousand words, I think that a thousand stitches were worth this picture, which was shared with me on Facebook:

The moment every mother dreams of...
Pinning the veil beneath a crown of orange blossoms.
(Photograph via Facebook)


Construction Details

Having already beaded a veil previously, (see the blog post, here: Something Old, Something New - and Something Green!), I had a better idea of what to expect and improve upon this time.  The first step after taking the measurements was to draft a pattern and cut a rounded, semicircular veil.  Next, the outer edges were finished with a "pencil edge," rolling the hem with a single strand of a vintage, size 20, white floss from France and securing a glass pearl every half inch or so. 

The shape was rounded to fall elegantly around the face edge,
with the longest, center back length around 32"

Detail shot of the hem with pearls spaced every 1/2"

I quickly learned that working with net is very different than the tulle I used the first time.  The larger weave of the net, though less slippery than tulle, makes the edge harder to control and to maintain an even hem.  There were plenty of re-dos, especially when I pulled too tightly or took too big (or too little) of a stitch.  Despite all of the challenges and finicky nature of net, I admit (now) to enjoying the process and, most of all, the end result.

1/16" rolled "pencil edge" on the net.

Close up of the edge of the net.

With the beading done, finishing was pretty straight forward.  The upper, unfinished edge was gathered down and securely whip stitched to the comb until the raw edges were smooth and mostly covered by the thread.

Gathering the unfinished edge to the length of the comb.
The "silver wire hair comb" was 4.25" in length.

Secured to the comb, the next step is to bind the edge with satin ribbon.
Pliers may be necessary to work the needle through all of the layers.

Then, to prevent any snagging on the hairstyle, the edge was bound with a length of cream satin ribbon, secured by tiny whip stitches between each tooth.  If the bride preferred the comb to be visible, any number of embellishments from fabric flowers to crystals and pearls could be added.

The finished edge from the outside!

Finished edge from the inside -
which should always look as neat and tidy as the outside!


Completed Project Shots

Hand-beaded bridal veil of net and glass pearls - front.

View of the full veil - laid flat.



Detail of the back of the veil against cotton muslin -
I wanted the pearls to look as if they were floating!

Same view, laid flat on cotton muslin.

Again, this time on a black background.


And to finish this blog post, a picture of the couple -

Happy Anniversary, Stephen and Allison! 

Looking as if they had just stepped out of an 1840s fashion plate,
the perfectly-period newlyweds ❤
(Photograph by Ruby Roote, via Facebook)

August 19, 2018

She Hath Put Her Heart to School

"'What a splendid day!' said Anne, drawing a long breath.  'Isn't it good just to be alive on a day like this?  I pity the people who aren't born yet for missing it.  They may have good days, of course, but they can never have this one.  And it's splendider still to have such a lovely way to go to school by, isn't it?'" - Chapter XV, Anne of Green Gables by L. M. Montgomery


Well this summer just flew by!  One blink and it was all over...While I felt like I maintained a good balance between work in the interpretation office and around the village, catching up with friends and family, I didn't get to the sewing or blogging that I had hoped.  Nevertheless, summer was still summer with plenty of memories to cherish, and a renewed, refreshed self ready to tackle all that's in store for the upcoming school year!

Perhaps I'm on the road to Kent State University right as your reading this, or settling into Verder, my home for the fall semester, and welcoming the new roommate.  While I'm looking forward to another semester of all things costumes and textiles, the dual concentrations of my self-designed, Bachelors of Integrated Studies program, I'd also like to list my favorite places to visit on and off the main campus.  If you're new to KSU - welcome! - and if you're interested in costumes or textiles - awesome!  See you in the studios!


Here are my top seven "must dos" on and off the campus: 

(1) See the Kent State University Museum -  Located in Rockwell Hall, home to the School of Fashion Design and Merchandising, this museum of costumes, textiles and decorative arts features year-round, changing exhibits in its eight galleries.  I've been studying the images in their fabulous, online and fully digitized collection for years, but nothing comes close to seeing the extant garments up close and in person (which was one of the main reasons I chose KSU)!

The Kent State University Museum

Favorite exhibits from the past year include the permanent Fashion Timeline, which spans two centuries of historical fashions and rotates the featured garments every semester, or more:

My favorite from Fall 2017:
Evening dress of 18th-century-style silk brocade, 1840s

My favorite from Spring 2018:
Black silk faille dress trimmed with velvet and lace, early 1870s.



Another favorite from Spring 2018:
Brown silk taffeta dress with patterned velvet trim, c.1889 

The Fashions of the Forties: From World War II to the New Look exhibit, Fall 2017 semester:

Fashions of the Forties: From World War II to the New Look


Fringe Elements, which showcased exquisitely fringe-trimmed garments from around the world:

Brown plaid taffeta dress, 1850s

Pink and white silk taffeta evening dress, c.1855-1860

Gold silk dress with tiered tasseled skirt, c.1879-1880


There were two new exhibits in the Spring 2018 semester - Katharine Hepburn: Dressed for Stage and Screen and For the Birds, which is all about birds, their cultural significance and representation in Asian, European and American fashion, textiles and other decorative arts.  (No pictures, sorry!)  For sure, I'll be making a stop this week or next to see the new displays.  It's free to students, so come once, come twice, come every single day if you choose!


(2) Visit the many libraries on campus!  I recommend the 12-story University Library, which is open 24 hours to students on weekdays, the Fashion Library, which has thousands of historical costume and fashion books to pursue, and the Performing Arts Library.

The textile section is located on the 7th floor of the University Library

The stacks in the Fashion Library...
Never have I ever seen so many books on historical clothing!

(3) Spend some quality time in the studios!  The campus is full of fashion, costume, dye and textile studios for the majors and minors to work.  If you're like me, plan to never see the sun and drink lots of coffee on those late nights...



(4) Attend a free lecture!  There's always something going on, and I mean always.  Most, if not all of the colleges (and some clubs) invite visiting speakers, artists and professionals for workshops throughout the year.  I had the opportunity to attend a few of the lectures, including the award-winning costume designer, Paul Tazewell of Broadway's Hamilton, and costume conservator, Cara Varnell, whose incredible career has included corporate, private, museum and archival collections all over the world.




(5) Catch a theatrical production, concert or dance!  Again, free to all students, there's almost always a production - be it a stage play, one-acts, musical or dance - in the works at the School of Theatre and Dance.  The School of Music also offers nearly 200 orchestra, band, choir, chamber and world music concerts and recitals each year.  So, if you're looking for something to do in the evening, stop by the box office in the Center for the Performing Arts or online.

Outside the Roe Green Center for the Performing Arts



(6) Explore the campus - It's HUGE, like a city within a campus!  Very pretty too, especially at the front of campus with the older, historic buildings.  There's also a lot of art installations, including my favorite pathway which is lined in bookshelves with bench-style alcoves, a seasonal waterfall fountain, and a giant brain!  Be on the look out for black squirrels...

My favorite of the art installations

(7) Head downtown, or off the campus for a while - There's a great local cafe a few blocks away called Scribbles, a historic cemetery (if you find that peaceful or are morbid like me), and the neatest, kettle-hole bog with a half-mile boardwalk. 

Tom S. Cooperrider-Kent Bog
State Nature Preserve

If you're able to drive, Kent is near many other museums and big cities, including Hale Farm, Cleveland and Pittsburgh, to name a few.  After discovering that Greenfield Village is only about a three-hours drive as the crow flies, I'll be dragging some friends to see it with me! 



So with that said, I hope any new or prospective students may find these suggestions helpful.  I know (from experience haha) that it can be difficult to find an institution that supports such obscure, niche-specific interests like historical costume construction and textile production, but the opportunities are out there!  If you're thinking about majoring in a similar area of study, feel free to drop a line - I'm always happy to chat about our shared passions.

Here's to a fantastic fall semester!